Yo Queenslanders
My latest show AUSTRALIAN BOOTY plays Brisbane Powerhouse from May 30 Check "tickets" at my other URL www.australianbooty.com Also ya wanna chat? Twitter: @AustralianBooty
THE FESTIVAL OF THE DREAMING
WHO’S THAT CHIK is Up North from December 27th- January 1st 2011/12.
How exciting and what a way to start the year. Due to the QLD floods The Dreaming Festival had to be put back 6 mths, which means music and theatre in one big hot loving event. If you’re coming already, get your butt to BlakDramatics space… there’s so much good stuff on! If you’re wondering what to do for New Year COME!!!
ATF 2011: Candy B Daily Reflections #2 A LOVE LETTER FROM THE EDGE
A love letter from the edge
By Candy Bowers
A reflection (a poem) written on the second day at the 2011 Australian Theatre Forum.
First I want to say that I will always love you. To be honest I don’t know how I’m going to live without you. I’ve loved you since I was a child. I remember the day my mother introduced me to you. It was a Saturday afternoon at Monash University. You were dressed as a white rabbit and a little girl called Alice.
I dreamed of you every night since that first experience. You became my everything. You became the centre of my dreaming. You were my emotional literacy. You were my way of understanding my self and my world. You were my world, my inspiration, my fire, my love, my hate, my memory, my story, my possibility: Romance, Pain, Sex, Hell, Heaven, Terror…So real, so real, so real, so real, and such a dream!
At times I thought I was nothing without you and I felt like there was nothing between us: like we were one. One voice, one heart, one soul, one mind, one body.
So I gave myself to you. I let you rock through me- gave you my tongue, I was naked for you, I was old, I was young, man and woman, trans and genderless, cold and hot, I killed and was killed, I learnt Arabic for you…
I do not question my love for you.
But it’s time for me to face the edge of this cliff and why I am standing here.
I’m done being you “other”- never Queen, never Lover. I’m done waiting for your Invitation while I make work off my back and my neck. Love should be easier than this. I’m done covering for you because my friends feel uncomfortable in your presence; my queer friends, my trans friends, my friends with disabilities and my black family do not feel welcome around you mutha-fucker! I’m done making excuses for your biogtry.
I can’t stay in this love because you do not love all of me.
So we’re done.
I’m out.
Goodbye.
“Now and then I think of all the time s you screwed me over. But had me believeing it was always something that I’d done. But I don’t wanna live that way. Reading into every word you say. You said that you coud let it go, and I wouldn’t catch you hung up on somebody that you used to know.” Somebody I used to know
ATF 2011: Candy B Daily Reflections #1 COME SIT AT MY TABLE
COME AND SIT AT MY TABLE
I am serving memory, story and possibility
The first course will not be eaten but inhaled
smell- childhood
smell- fatherhood
smell- the neighbourhood you grew up in
COME AND SIT AT MY TABLE
I am serving memory, story and possibility
The second course will be filling, leave you starving and sick, turn your belly and smack your lips
Multi-layered, sustained and quick, complex, engaging, light and thick
No knives
No forks
But fingers, lips, teeth and toe tips
You will not eat off plates but ears, arms and hips
Multicoloured bodies will slip and move beneath
Scattered with left overs, sauce smears and pips
COME AND SIT AT MY TABLE
I am serving memory, story and possibility
And now for the discourse
The meatiest course
The main dish, the vision, the dream, the never ending force
Here’s mine:
I want an industry of colour, empowering the other brothers and promoting the brown mama’s
artists, actors, writers, rappers, lovers
I yearn for the rhythm no loner under cover
the beats the breaks the notes the tones
Is what I hunger
Is what I hunger
Is what I hunger
Now think on yours, I’ll be the sound track to your 10 year dream of what the Theatre could become…
I believe I can fly, I believe I can touch the sky…..
COME AND SIT AT MY TABLE
THANKS FOR THE SUPPORT
KEY PARTNERS
First and foremost thanks to Contact Inc for Co-Presenting the Showing and stepping on board as Partner for up coming Tour. Thanks to Jade Lillie from Contact Inc for coming along and hosting the Q & A after the 2pm showing. To ATYP (Australian Theatre for Young People), thanks for the Venue, to ICE (Information Cultural Exchange) thank you for the Projection and Filming Equipment.
KEY ARTISTS
Thanks so much to Fatima Mawas for filming the Showing and Editing the DVD. Fatima is also the film-maker that created the bulk of the original video and AV for the show. To Kim “Busty Beatz” Bowers thanks for all the Production and Event Management, Logistics, Coordination, Sound and AV Operation. Busty is also the Sound Designer and wrote all the original hip hop in the show. To my mum Lynn Bowers, thanks for all costume extra’s, wardrobe duties and various cameos throughout the show. To Kate and Kayne at Bangarra thank- youse for all the last minute set bits we borrowed. Thanks to Breanna and Breanna’s Academy of Dance out in Campbelltown for cutting us a special deal on the Rehearsal Space. Much love, Candy B!
I wrote this show
I wrote this show for my creamy nieces and nephews they’re growing up
I wrote this show for the black boys and girls who’ve had enough
I wrote this show for the activists looking for change
I wrote this show for my Asian sister’s who want to re arrange
Not just the furniture but smash down the walls
I wrote this show for my community, l wrote this show for y’all
Beat
I wrote this show for my mother and the million migrants who came
To bring up their families out of turmoil through the pain
Strange country, strange people, strangers, estranged
I wrote this show to fuel the fire, I wrote this show to fan the flame
In young hearts so full that they want to be on the stage
They want to make music, represent on the page
For Australians with mixed ethnicity
I wrote this show for you and l wrote this show for me
For South Africans once called “Coloured” those called other names too
It’s the first time this girl reflects, I wrote this show for you
And to white folks from Australia this much is true,
If this show is about me then this show is about you
This show is a confrontation, this show is a plea
The lack of colour on our stages doesn’t just effect me
We’ll all play a part in changing this industry
We see what we are, we are what we see
Beat
I see an industry of colour, empowering the other brothers
Nurturing the creamy boys and promoting the brown Mama’s
Artists, Actors, Dancers, Writer’s, Lovers
I yearn for the rhythm’s no longer undercover
The Beats the Breaks the Notes the Tones is what I hunger
Is what I hunger
Is what I hunger
Beat
This is my mouth these are my eyes
My body my blood these are my thighs
This is my story can you empathize?
If you can’t see yourself
How do you know you’re alive?
Beat
I wrote this show for my emotions; red hot and blue
I wrote this show for me and wrote this show for you
Beat
And now you’ve walked my words and a show in my shoes.
KILLER QUOTES
“Candy B is a lady with a killer sense of humour… Everything about this girl is big from her hair to her talent.” The Brag 2009
“The soundtrack is busy and inventive and the Dizee Rascal-style Blasian is a hit!” SMH 2009
“Candy B is on fire and trailblazing ahead…. WHO’S THAT CHIK? is a powerful call to arms, a revolutionising of Australia’s theatre, television and film culture from its white centre.” ArtsHub 2009
“An experienced performer, and one half of the comedy Hip-Hop duo Sista She, Candy Bowers, has proved with WHO’S THAT CHIK? that she is an extraordinary writer-performer who can hold her own, and our hearts besides.” Overland Literary Journal 2009
“Bowers celebrates mixed race through exuberant music and humour and liberal shaking of her beautiful brown bootay…. Her talents as a comedian provide many highlights, from sly self deprecating physical comedy to gloriously camp music video in which she impersonates Lionel Richie.” 4 stars The Age 2009
“WHO’S THAT CHIK? is an intensely personal piece that uses Bowers’ own life story to explore the challenges a big brown girl faces living here (in Australia) today….Near the end of WHO’S THAT CHIK?…(the) hip-hop clown slips away and is replaced by the powerful voice of a proud, strong poet spitting out her pain into the darkness.” Capital Idea 2009
“With her life, art and culture all intertwined and her career in full swing, it’s not going to take long before the answer to WHO’S THAT CHIK? will be on everybody’s lips.” Australian Stage Online Glickman 05/10/09.
FREE SHOWING & FILMING 2pm OR 7:30pm
You are invited to the industry performance and filming of
WHO’S THAT CHIK?
A hip hop tale of a brown girl with big dreams
Written and Performed by Candy Bowers
Original Beats Production, Composition and Sound Design by Busty Beatz
Winner of Best Performance Award, Melbourne Fringe Festival 2009
Nominated for Philip Parsons Young Playwrights Award, Belvoir St Theatre 2010
Come and Join us on
Thursday 26th May 2011 2pm or 7:30pm
ATYP Under The Wharf, Pier 4-5 Hickson Rd Walsh Bay
Who’s That Chik? is funny, personal and political with plenty of sass and a pinch of Lionel Richie to boot. Told in the style of hip hop theatre, the show is a mix of rap, spoken word, street dance, jazz ballet and video, all served up with Candy B’s razor-sharp trademark hip hop comedy.
“Candy B is a lady with a killer sense of humour… Everything about this girl is big from her hair to her talent.” The Brag 2009
“The soundtrack is busy and inventive and the Dizee Rascal-style Blasian is a hit!” SMH 2009
“With her life, art and culture all intertwined and her career in full swing, it’s not going to take long before the answer to “who’s that chik?” will be on everybody’s lips.” Australian Stage Online 2009
RSVP
Friday May 20th 2011 (limited seating available)
EMAIL thecandybowers@gmail.com
Please indicate time slot of 2pm OR 7:30pm
FB http://www.facebook.com/candy.bowers#!/pages/Whos-That-Chik/7388647209
We’re coming to the Melbourne Fringe
The south side of Australia is going to get some love in September, ‘Who’s That Chik?’ is playing the Fringe Festival. We have a fancy new flyer, check it out.

Download the Melbourne Fringe Flyer PDF
Theatre Audiences Vs Hip-Hop Theatre
I have been on stage from Tuesday to Saturday at 8pm and Sunday at 5pm since May 5th 2009, performing my self-written, autobiographical, solo hip hop theatre piece. It has been a very personal journey on this show, more than most of the other work I have done, which kind of makes sense right? Autobiographical, solo show… it’s going to be personal no matter how what. But something which I’ve really been noticing is the way my experience changes depending on the nightly makeup of the audience. Now I love everyone who supports independent theatre so these thoughts are coming from a special part of my heart but I need to be plain-speaking about these issues, so here goes… Read more…
Candy B, Creative Sydney Catalyst
Creative Sydney is a festival celebrating the wealth and diversity of the city’s creative talents from May 27- June 12. In its inaugural year, Creative Sydney will feature a provocative talks program and event series at the Museum of Contemporary Art and The Roxy, Paramatta, as well as the launch of Creative Catalysts – a list of Sydney’s creative pioneers.
So it seems that I’ve been selected to accelerate the creative chemical soup which is the Sydney arts scence. I can’t wait. More details on the Creative Sydney website.

Creative Sydney is a festival celebrating the wealth and diversity of the city’s creative talents from May 27- June 12. In its inaugural year, Creative Sydney will feature a provocative talks program and event series at the Museum of Contemporary Art and The Roxy, Paramatta, as well as the launch of Creative Catalysts – a list of Sydney’s creative pioneers.